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No.807375 Ответ
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Предыдущий:>>772326
>> No.807381 Ответ
>>807375
В голос с первой пикчи.
>> No.807388 Ответ
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Ваши настройки цензуры запрещают этот файл.
r-18
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Ваши настройки цензуры запрещают этот файл.
r-18

>> No.807407 Ответ
>>807388
Обязательно хентай в тред вторым постом, да?
>> No.807424 Ответ
>>807407
Отшлёпал бы Аску по попке?
>> No.807434 Ответ
>>807424
Много вас на Аскину попку.
>> No.807440 Ответ
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>>807424
Плёточкой :3
>> No.807442 Ответ
>>807372
Не забудь добавить +1 в мал, это аниме есть в базе.
>> No.807458 Ответ
>>807434
У Аски не хватит попок на всех, кто хочет её отшлёпать.
>>807442
Уже давно у меня в мале.
>> No.807844 Ответ
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>>807375
Бумп.
>> No.807957 Ответ
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После очень-очень долгого времени мне вновь приснилась Богиня, няши. Так хорошо и радостно на душе теперь!
>> No.807962 Ответ
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>>807424
Я бы тебя по попке отшлепал, хентайка ты мой
>> No.808011 Ответ
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Антоши, накидайте, пожалуйста, материалов о том, как создавалась Ева + интервью Анно.
Гугол выдаёт всякую хрень.
>> No.808058 Ответ
>>808011
> Гугол выдаёт всякую хрень
Как так?
>> No.808089 Ответ
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94-й год

> What is the appeal of Giant Robot Anime?
> “Giant robot anime” is an expression of children’s subconscious desires.
> That is to say, the thing called “giant robot anime”
> Is compensation for the complexes and various suppressions that children hold, a means of resistance, compensatory behavior.
> Adults know “the difficulty of living.”
> And, at the same time they also know “the fun of living.”
> In order to live, even if they know it is a “lie”
> They know that “hope” and the “dream” called “justice and love” are necessary.
> We can communicate purely to children with no sense of difference between fiction and reality due to a characteristic of the means of expression called animation, namely, usage of the view of the world where everything are “pictures” drawn by people.
> That is the greatest appeal that “giant robot animation” holds.
>> No.808090 Ответ
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> in the Eva production timeline in the Collectors Box Set, Anno proposed the first in-house draft of “Evangelion” to Gainax for consideration on September 20, 1993 – over two years before the start of the series.
The Series Plan (2nd draft) and plot/synopsis of all 26 episodes was submitted on January 5 of the following year (1994), and for the most part “fixed” (in-house) the following month on February 4. The Planning Draft for external distribution was completed in April of that same year – a year and a half before the start of the series.
Production work for Ep.1 was completed in April 1995, and Ep.2 in May 1995, but the opening and ending sequences were not finished until September.
>> No.808360 Ответ
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Yamashita
YAMASHITA comments:
> Well, ‘serious’ fans may feel anger that I got inspiration of EVA-02 from synchronized-swimmer-gay with goggles who appears with crying ‘SEXY DYNAMITES!’ before the last stage of PC-Engine game ‘CHOU-ANIKI’
>> No.808364 Ответ
>>808360
> CHOU-ANIKI
И зачем я гуглил этот пиздец?..
>> No.808663 Ответ
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https://m.youtube.com/watch?v=WeCqPChOEmA
Proposal
SEELE
> What is meant by “The Human Complementary Plan,” a plan to save mankind from despair?
Mankind has already obtained the power to antagonize God. This is the basis of this story and the great international project known as “The Human Complementary Plan.” Half a century ago, we developed nuclear fusion. Next up for mankind, who can store the sun in the palm of his hand, is a complementary plan to create the “perfect human” with their own hands. The goal is to liberate all of mankind by scientifically re-creating “the tree of life” forbidden by God, by taking away “death” from man, and by freeing him from the original sin and the curse that plagues him. The one who is advocating and recommending this plan is Gendo Ikari, the father of the main character. Through “artificial evolutionary research,” he is single-mindedly pursuing the form of a human who has achieved the ultimate evolution…
>> No.808754 Ответ
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June
>
When Anno thought of Eva, he wanted to create an anime that would surpass “Gundam” and “Yamato.” However, he became dissatisfied with his early ideas. The script for the first episode took half a year to complete. He was stuck after that, so he wrote episodes 5 and 6, and then came back to episode 3. He felt he had to go beyond regular TV anime in developing realistic characters in episodes 3 and 4. However, the first six episodes left the staff drained and feeling weighed down by the heavy mood, so he felt it necessary to lighten the feeling of the series for episodes 7, 8, and 9. This early stage of production took 4 or 5 months in total; the storyboards were done in two months. However, the schedule became more and more constrained. The series was only finished thanks to the supreme efforts and talents of the staff. Episode 26 was completed in only three days. Episode 24 was put together almost entirely by Masayuki alone in the space of three weeks
>> No.808780 Ответ
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Toshio Okada
> OKADA: ...You must remember that EVANGELION is produced at Tatsunoko, so the schedule is out of the control of Gainax–it’s the responsibility of Tatsunoko. Tatsunoko almost rules, when it comes to control. So, I think, the responsibility was not with Gainax. People say, “It’s the responsibility of Mr. Anno,” but they’re wrong. Control over schedule is the responsibility of the producer. But Tatsunoko and T.V. Tokyo couldn’t handle it. It was out of Gainax’s control.
> AUDIENCE: I talked to a person from Tatsunoko. He said he does not blame Mr. Anno, but he blames other people at Gainax, who might be telling Anno about his schedule, and–
> OKADA: Oh! I think producers always say that. But I talked with Mr. Anno about this a month ago, and then he said, “I’m almost the producer of EVANGELION, but I must be so, because Tatsunoko did not do anything for EVANGELION.” See, he is very disappointed with Tatsunoko, and some rumors have said that Tatsunoko lost the film, or cels before they were shot.22
> AUDIENCE: Wow!
> OKADA: And I asked Mr. Anno, “Is it the truth?” And he says, in a dark voice, “Yes.”
>> No.809264 Ответ
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>>807375
Бумп. :3
>> No.809268 Ответ
>>808364
Хочешь, чтобы другие тоже погуглили?
>> No.809549 Ответ
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Sadamoto
> ‘When I started on the manga, we’d only plotted about five or six episodes, so I didn’t have too much of an idea where we were going. We hadn’t even decided what colour Evangelion was going to be, or how to design the cockpit! Also, although I was very well acquainted with certain characters through my assignments as a designer, I had to immerse myself in the rest of the Evangelion universe, in whose creation I hadn’t been so closely involved.’
>> No.810002 Ответ
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Sadamato, Masayuki, Tsurumaki

Sadamoto:Kotono Mistuishi) cried reading a script, for example. When Anno-san heard that - guts pose! (laughing)
Masayuki: What episode was that?
Sadamoto: 25.
Takekuma: Misato’s voice actress cried reading the script?
Sadamoto: So Anno did a guts pose. The supervisor of the manga also cried [reading it], and when Anno heard that, he did another guts pose (laughing). He was victorious, because two members of society had been reduced to tears. However, after it was finished, people told him various things, and he went into a state of collapse. What happened to the guts pose? (laughing)
Masayuki: When he was making episode 25 he was saying, “I’m a genius.” Then after it had broadcast, he came out of his room looking dazed. “Why did I make such a strange thing?” (laughing)
Sato: The last episode was the same, wasn’t it?
Masayuki: Well, he didn’t say anything about the last episode. Just with episode 25, he seemed to be extremely pleased with it. Then when he saw the broadcast, it was like, “I’m an idiot…” (laughing)
Sato: Afterwards he was looking at the reactions on message boards from a distance (laughing). Although he was saying he was going to ignore them, he was still looking out of the corner of his eye at the monitor. “I’m probably not going to look….” he said. “Right, I’m not going to look.”
Sadamoto: But I thought that the final two episodes were fine. I thought it was simply a matter of the connecting episode between episodes 24 and 25 being missing. That’s why we’re doing the original episode 25 (the remake version) now. I think it’s just that that episode was missing. I saw the initial script. If the original episode 25 had been there, then there would have been a clear link leading up to the television versions of episodes 25 and 26. Just one episode was missing. So I thought [the ending] was fine.
Masayuki: We know that because we’re the people who worked on [the series].
Sadamoto: So in my mind there’s a clear link [bridging episode 24 and 25]. But the ordinary viewers, although they wanted to see the continuation of episode 24, it was omitted. So, they got mad at it.
Oizumi: That’s completely right.
Sadamoto: They couldn’t see the relationship [between 24 and 25].
Tsurumaki: Well, it’s because the original episode 25 script was completed [but not used].
Sadamoto: Because I’ve seen [that script], I thought, [watching the ending], well, even this much is fine.
>> No.810948 Ответ
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>>807375
Это... бумп, короче
>> No.810998 Ответ
>>809268
Именно.
>> No.811053 Ответ
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>>808360
>>808364
>>810998
О БОЖЕ ЗАЧЕМ Я ЭТО ГУГЛИЛ???
>> No.811054 Ответ
>>811053
А это ты относительно недавно гуглил месубута?
>> No.811139 Ответ
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Далее даю не рыбу, но удочку
https://www.gwern.net/otaku
Самая полная база переводов интервью по Еве из мне известных.
>> No.811144 Ответ
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И напоследок тем, кто еще видел: перевод очень раннего варианта сценария 24-го эпизода, "одна из возможных реальностей". Сам сценарий был выложен в JUNE, в выпуске, посвященном Каору. В программе: альфа-евангелион, реально действующий институт Мардук, ругающийся Тодзи, ободряющая Синдзи Аска, Адам на кресте.
Часть 1

NEON GENESIS EVANGELION EPISODE 24 "THE FINAL ANGEL" (FIRST DRAFT)

INT. NERV HQ - CAGE
In one corner a humanoid weapon, about 5 meters in length, is submerged in coolant.
On its body are the markings, "αーTYPEーEVA000."
Standing on the umbilical bridge before it are Ikari Gendou and Fuyutsuki Kouzou.
IKARI: The new Eva prototype: α Eva.
FUYUTSUKI: The miniature Evangelion, was it? What need do we have for something like this now of all times?
IKARI: It was created for the Human Instrumentality Project. This is the prototype.
FUYUTSUKI: Wasn't there a need to make some arrangements [to reach] the site? There are quite a few people asking questions about the freeze on Unit 00's repairs. Professor Akagi is taking matters into her own hands to find another Eva pilot.
IKARI: Let her keep at it a little longer. Plan E still isn't complete. According to SEELE's script, there's still one Angel remaining.

THE FINAL ANGEL
INT. NERV HQ - TEST PLUGS, CONTROL ROOM
MISATO: How's it going?
IBUKI: Not well. These are the worst numbers the two of them have made yet.
Asuka and Rei are shown in their test plugs on a monitor.
MISATO: Any idea what's causing it?
IBUKI: We don't have a clear answer yet, but the data shows that both of their sync rates tend to fluctuate. Asuka's numbers are probably a result of mental stress while Rei's are probably physical.
MISATO: There's no way either of them could pilot an Eva like this, huh. I guess this sort of thing was unavoidable with the main pilots. This is probably why Ritsuko's been running around these past few weeks trying to find a replacement pilot.
IBUKI: This'll be the first pilot who doesn't come from the Marduk report. I'm a little worried. I can't help but think that Professor Akagi is being a little overzealous this time. Haven't you noticed it? She's been in such a hurry lately.
MISATO: ……
EXT. THE OUTSKIRTS OF TOKYO-3, IN FRONT OF THE TURNSTILES OF A TRAIN STATION - AFTERNOON
A single car is parked by the station. Ritsuko and Shinji are waiting for their train.
Ritsuko tries to light the cigarette in her mouth, but a sudden wind prevents her.
Shinji spontaneously reaches out with his palm to block the wind.
RITSUKO: Thanks. (She lights the cigarette.) Shinji, you're always looking out for other people, aren't you? I bet you don't even get a break at home, do you?
SHINJI: Oh, not at all. Plus, the three of us are rarely together these days. Misato's always os busy and Asuka's doing overtime for testing so they never get back until evening.
RITSUKO: I guess I'm the one who's been sowing the seeds of your house's ruin.
SHINJI: It's not your fault. Work is work after all. Though, there is one thing that's been bugging me. Misato seems to be drinking more.
RITSUKO: –––Shinji, have you ever fallen in love?
SHINJI: Not yet…
RITSUKO: In Misato's heart, Kaji was a physically a part of her. Now that he's gone, it's finally hit her. But, some times those painful feelings become so overwhelming, it becomes unbearable. And on those nights, sometimes [we {general}] need to rely on the power of alcohol just a bit.
A special train pulls into the platform.
SHINJI: Will I understand that sort of thing better once I've fallen in love?
RITSUKO: When you understand it, it means you've become an adult. –––Alright. The Fifth Child is here.
The special train pulls out of the station.
A young boy wearing a cute, navy sailor suit remains on the platform. (Nagisa Kaworu)
Kaworu stands in the heat haze.
He sparkles against the light of the setting sun, his hair the color of honey.
Shinji is unconsciously bewitched by his divine beauty.
Shinji meets Kaworu's gaze. His heart pounds.
INT. GEOFRONT - LOBBY OF THE CEILING BUILDING {er, does 天井ビル have a more common translation re: Eva?}
Kaworu is meeting the three Eva pilots.
Misato and Ritsuko stand next to Kaworu.
RITSUKO: This is the fifth candidate we've selected, Nagisa Kaworu.
KAWORU: I'm Nagisa Kaworu. Pleased to meet you.
ASUKA: (Her eyes sparkle.) I'm Asuka. Soryuu Asuka Langley. Nice to meet 'cha.
She shakes his hand.
RITSUKO: This is the First Child, Ayanami Rei.
KAWORU: Pleased to meet you.
REI: (Deadpan as always.) You too.
They shake hands and for just an instant look at each other.
Misato looks over to Shinji, who looks a bit forlorn.
INT. NERV HQ - PHOTO ROOM
Kaworu faces forward and a flash goes off.
INT. SAME AREA, DIFFERENT ROOM
Kaworu's ID card comes off the printer.
MISATO: (Picking it up.) Nagisa Kaworu… He's quite the beauty.
RITSUKO: He's more than just a pretty face. Apparently he's at the top of his class and his athletic ability is prodigy-level too.
MISATO: I hope Shinji doesn't develop an [inferiority] complex over him. He doesn't take [this kind of stress very well]. He seemed a little down today too.
RITSUKO: (Giving Misato a sidelong glance) You worry too much…
EXT. CENTRAL HOSPITAL - AERIAL VIEW
KENSUKE'S VOICE: Suuup
TOUJI'S VOICE: Oh, that you, Kensuke? Come to visit your sick pal?
INT. CENTRAL HOSPITAL - TOUJI'S ROOM
Touji is on the bed and Kensuke has come to visit.
KENSUKE: I asked the receptionist, but are you really getting discharged tomorrow?
TOUJI: Yeah. I think things'll be going pretty well for me starting next week.
KENSUKE: When you're all better, are you going to pilot again?
TOUJI: Nah, they decided to give me a break. They didn't really try very hard to keep me so they must not have been expecting much from me in the first place. Wahahaha. (He gives a melancholy smile.)
KENSUKE: Oh…
TOUJI: So, how's school been?
KENSUKE: Well, I guess it's about as normal as it gets. Though, we did get a transfer student recently.
INT. KENSUKE'S VIDEO
Inside the classroom, Kaworu writes his name on the blackboard.
KENSUKE'S VOICE: His name is Nagisa Kaworu. I guess he's what you'd call a pretty-boy.
TOUJI'S VOICE: He pales in comparison to me though.
Finished writing, Kaworu turns around.
KENSUKE'S VOICE: Check out the girls' reactions.
The girls being excited.
TOUJI'S VOICE: So the bitches are showing their true colors. {'bitches' sounds a bit harsh even for Touji but he's using メス which is pretty damn rude, I don't remember if he uses it in the series though}
Lunch time. A bunch of girls are chatting with Kaworu in the courtyard.
KENSUKE'S VOICE: He's only just transferred in and he already has a fan club. I wouldn't be surprised if every girl at school was in it. Save a very tiny fraction.
Rei rests her chin on her hands, disinterested.
TOUJI'S VOICE: Well, she's always like that.
The camera pans over to Asuka, looking dejected.
KENSUKE'S VOICE: Soryuu looks pretty down, doesn't she? And she's usually the most energetic person in class.
In the morning she was screwing around with everyone like usual, but, now, the transfer student came, and apparently he's going to be an Eva pilot too. I bet Soryuu sees him as a rival. Apparently her sync tests with Unit 02 haven't been going well lately.
When Asuka notices the camera focused on her, she throws something at it.
Followed by video noise.
INT. TOUJI'S HOSPITAL ROOM AGAIN
Kensuke closes the video screen.
KENSUKE: So, this new transfer student's already being called the Prince of the class after just three days.
TOUJI: I dunno anything about princes, but I don't like this guy.
KENSUKE: Suzuhara, you're always like that with the newcomers. I think you hated all the transfer students. Even Shinji, if I recall correctly!
TOUJI: How is that Shinji kid doing anyway?
INT. SCHOOL, CLASSROOM 2-A - AFTER SCHOOL
Shinji is sitting at his seat, burying his face between his arms on his desk.
No one else is in the room but him.
We hear piano playing coming from somewhere.
Hikari comes in to get her bag.
HIKARI: Oh, Ikari, you're here?
SHINJI: (Lifts his head.) Yeah……
HIKARI: I thought you'd gone with Aida to visit Susuhara in the hospital.
SHINJI: It's…. complicated.
HIKARI: (Noticing the piano.) Nagisa's playing. He's really good, isn't he? –––Well, I'm off.
SHINJI: Bye.
Alone again, Shinji listens to the piano in his deep melancholy.
EXT. SHINJI'S MEMORY - THE STATION
He meets Kaworu's gaze and smiles.
KAWORU: Pleased to meet you.
SHINJI: (Stuttering) S-Same here.
Shinji blushes and hangs his head.
INT. SCHOOL - MUSIC ROOM
Kaworu playing the piano.
INT. CLASSROOM 2-A
The piano piece ends at a sort of unnatural point.
SHINJI: ……

INT. SCHOOL - MUSIC ROOM
Shinji ever so timidly opens the door.
––No one's inside.
We hear footsteps going down stairs.
INT. SCHOOL - STAIRS
Shinji runs down the stairs.
But he can't seem to catch up with the footsteps.
At which point the PA system comes on and the string piece "Winter" from Vivaldi's Four Seasons plays over the speakers.
ANNOUNCER: It's time to go home. Any students left on campus, please prepare to head home immediately.
EXT. SCHOOL YARD - DUSK
The end-of-the-school-day broadcast echos throughout the yard.
The various athletic club students [stream by] as their practices end.
Shinji looks around as he leaves the building, but Kaworu is nowhere to be seen.
As the athletic club members are cleaning up, they all look up at the sky at once.
–––It's started raining.
Even though the sun is still shining, large drops of rain fall from the sky. {I thought it was supposed to be dusk already!}
The students rush into the school building.
Shinji is enveloped by the golden rain.
EXT. THE ROAD HOME
Kaworu walks home alone with an umbrella in the sun shower.
Someone comes running from behind him and overtakes him.
It's Shinji, completely soaked.
When Shinji notices Kaworu, he stops in his tracks.
Kaworu raises his umbrella a bit and smiles.
SHINJI: ––
Kaworu raises his umbrella again.
Shinji hesitates a bit before joining Kaworu under the umbrella.
KAWORU: Heading to Nerv?
SHINJI: Yeah……
KAWORU: Let's go together then.
The two walk together.
INT. REI'S ROOM
Rei is drying herself off when something catches her eye and she looks out the window.
There's a vivid rainbow over Tokyo-3.
REI: ……
INT. NERV HQ - THIRD LAB
Asuka enters and tries to raise the ramp to Unit 02.
ASUKA: Alright, I wonder if both me and Unit 02 are in good condition today.
RITSUKO'S VOICE: (Over the PA) Wait a second. I'm sorry, but Asuka you're on standby.
ASUKA: Standby…
RITSUKO'S VOICE: The Fifth Child will be taking Unit 02 today.
We see Shinji and Kaworu in their plugsuits on an upper landing.
KAWORU: I thought you hated me, Shinji.
SHINJI: Why……?
KAWORU: I kinda got the feeling you were avoiding me.
SHINJI: I wasn't trying to.
KAWORU: Really?
SHINJI: Really……
We hear Kaworu and Shinji giggling.
ASUKA: ……
INT. NERV HQ - CONTROL ROOM
Misato, Ibuki and Ritsuko looking at the monitors.
RITSUKO: How's the Fifth Chid doing?
IBUKI: His sync is quite high. This is far beyond Asuka's personal best.
MISATO: So, this means he's confirmed as the replacement pilot now?
RITSUKO: Only after we get the results of Unit 02's startup test.
INT. SCHOOL, CLASSROOM (THE NEXT DAY)
Kaworu and Shinji are having fun talking to each other.
Several female students watch from a distance. {this is so retro shoji it burns, also side note: they're -sama'ing Kaworu in this}
GIRL A: That Ikari's such a leech. He's just hanging all over our dear Kaworu.
GIRL B: They even shared an umbrella home yesterday.
GIRL C: (To Asuka who's next to her) Hey, Soryuu, don't you have suspicions about Kaworu and Ikari?
ASUKA: Well, I mean, they are an item after all.
GIRL A: You mean, they're…… you know?
GIRL B: Huh, I don't believe it.
The rumor spreads through the girls' whispers.
Asuka seems to feel a little bad about it, but just sticks out her tongue and feigns ignorance.
>> No.811146 Ответ
>>811144
> И напоследок тем, кто еще не видел
Конечно же. Тут вообще много всякого интересного происходит. Ладно, часть 2, последняя

EXT. OLD TOWN (NEAR ODAWARA)
A townscape that was submerged 15 years ago.
Ruins of buildings stick out of the ocean in clusters.
Shinji and Kaworu gaze at the scene from the breakwater.
KAWORU: It's like Bruges in the play, 'Die tote Stadt.' Beautiful and desolate.
SHINJI: What's that?
KAWORU: It's the story of a man who closes himself away in a house in the City of Death, not wanting to forget his young wife who died. The man calls one of the rooms, 'The Temple of Memories,' which he carefully fills with his late wife's belongings to maintain her memory. But, a dancer who looks just like his wife appears and throws his heart into confusion. He learns that life and death are different things, and finally resolves to leave the City of Death.
SHINJI: Huh…
KAWORU: Hey, how about a swim?
SHINJI: A swim? Here?
KAWORU: Yeah.
SHINJI: But I didn't bring a swimsuit.
KAWORU: We can just swim in the nude. No one else is here after all.
SHINJI: But……
KAWORU: There's nothing to be embarrassed about. We're both boys.
SHINJI: Yeah, but…
KAWORU: Let's go.
He says as he heads for the water, stripping off his sailor suit.
Shinji follows after him, unbuttoning his clothes.
EXT. SEA
At a shore between the buildings stands Kaworu, without a shred of clothing on.
Shinji follows a bit later.
Kaworu's supple limbs float to the surface of the sparkling water.
Shinji is unconsciously fascinated by his figure.
Kaworu gradually heads deeper into the water but Shinji stops.
KAWORU: (Turning around) Come over here.
SHINJI: I can't go any further…. I can't swim……
KAWORU: It'll be alright. Just hold on to me.
Shinji enters the deeper water as if drawn to Kaworu.
But, Kaworu doesn't take his hand and Shinji nearly drowns.
Kaworu embraces Shinji.
Shinji clings to him.
KAWORU: Hahaha. You really can't swim, can you?
SHINJI: You're so mean. I trusted you……
Shinji bursts out into tears and buries his face into Kaworu's shoulder, sobbing without hesitation.
INT. ROOM IN AN ABANDONED BUILDING - AFTER SUNSET
The sun has disappeared past the horizon, but the sky is dyed emerald green.
Shinji and Kaworu gaze at it as they dress themselves.
KAWORU: Wow…… An emerald sunset.
SHINJI: It's so beautiful.
As Kaworu buttons the sleeve of his sailor suit, Shinji notices several lines of scars on Kaworu's wrist.
KAWORU: Hey. Why were you crying earlier? Are you scared of the ocean?
SHINJI: I don't know….. I-I don't know. I just thought I'd like to sink into the ocean and die.
KAWORU: Why……?
SHINJI: To tell you the truth, I was avoiding you. Next to you, I'm such a pathetic excuse for a person…… I feel like I'm going to go crazy when I'm with you, but, when I can't see you…… I feel so, so anxious…… And when I thought about how you shouldn't spend your life with someone as pathetic as me…… I just felt like dying……
The sky is dark, their figures are in complete silhouette now.
SHINJI: I can't see your face now……. Kaworu, I……
KAWORU: (Interrupting him) I'm sorry……. I don't feel that way about you.
SHINJI: –––
KAWORU: Let's go home separately. I don't want to hurt you any more.
Kaworu leaves by himself.
Shinji stands there in a sea of despair.
INT. MISATO'S APARTMENT, LIVING ROOM - NIGHT
Asuka is playing on the Famicon with Penpen.
Misato comes out of Shinji's room carrying a tray with cold porridge on it.
ASUKA: Shinji's not eating?
MISATO: Yeah, not one bite. I wonder what's wrong. He doesn't have a fever or anything. I wonder if I need to take him to the hospital for a checkup.
ASUKA: That wouldn't do anything.
MISATO: Why?
ASUKA: You know, it's one of those things, "neither doctors nor a soak in the Kusatsu springs" can solve. {not sure what a good English idiom to this effect would be, the full line is more like "love sickness cannot be cured by doctors or a soak in the Kusatsu springs"}
MISATO: Huh……
ASUKA: I'm sure that idiot is crying into his pillow about being spurned by the object of his affections.
MISATO: Object of his affections…
ASUKA: Yeah, it's the Fifth Child. (Standing up) ––Well, I guess I'll go try to cheer him up.
INT. SHINJI'S ROOM
The door opens and Asuka enters.
Shinji is lying in bed, the cover pulled over his head.
ASUKA: Shinji. I don't know what happened, but you can't lie around like this forever.
Shinji doesn't respond.
ASUKA: (Poking Shinji's cheek) Hey, Shinji, say something. Shin-chan.
SHINJI: (Coldly pushing her hand away) Don't touch me with your filthy hands…
ASUKA: –––
SHINJI: Funny hearing this from you. You're the one who started that disgusting rumor. I don't want to see your face, get out.
Asuka angrily storms out of the room.
INT. NERV HQ, HALLWAY - THE NEXT DAY
Kaworu walking down the hall alone.
INT. THIRD CAGE
Unit 02 is submerged in the red coolant. We hear announcements from the sync test operators.
INT. NERV HQ - CONTROL ROOM
They're preparing for the test.
RITSUKO: Shinji [has a crush] on Kaworu!?
MISATO: For a boy to end up like that over another boy, I made a bit miscalculation.
RITSUKO: So, what of Shinji now?
INT. NERV HQ - SICKBAY
Shinji lies on the bed, hugging a pillow
MISATO: He came to HQ, but he's resting in sickbay. He seems completely dejected.

INT. NERV HQ - BACK IN THE CONTROL ROOM
MISATO: To be honest, I had a bit of a bad feeling when I first met Kaworu. But to think it'd end up like this. I'm really at a loss.
RITSUKO: You're jealous of Kaworu. He stole Shinji from you.
MISATO: What are you saying. I'm his guardian, it's my job to worry about him.
RITSUKO: I know you're not as strong as you look. A lot of things have happened these last few months. I think you might have been able to hold it all together because you've been living with Shinji.
MISATO: ……
OPERATOR A: (To Ritsuko) We're past the time scheduled for the test, but the pilot isn't in the entry plug yet.
RITSUKO: That's strange. I'm sure I gave him the right time….
MISATO: I wonder if he got lost. He's still not used to this place.
An alarm bell sounds suddenly.
INT. NERV HQ CENTRAL COMMAND CENTER
Misato and Ritsuko enter.
MISATO: What happened?
AOBA: A suspicious person has trespassed quite a ways into the underground structure. They're heading for Central Dogma.
HYUGA: We have ID data on the subject. They seem to be using Professor Akagi's card.
RITSUKO: What!?
MISATO: No way……
AOBA: I've got a visual on the target through the cameras in P-block.
An image of the underground facility appears on the main screen.
Kaworu is walking around.
RITSUKO: (Into the microphone) What are you doing there? You're not supposed to be in that place.
On the screen, Kaworu looks a bit troubled.
KAWORU: I'm so sorry……
And that instant video noise fills the screen.
IBUKI: AT Field detected in the underground structure!
MISATO: An Angel!
RITSUKO: That's impossible!
INT. PART OF THE UNDERGROUND STRUCTURE
Kaworu is enveloped by dazzling light.
It converges on him and thus he is transformed into an Angel with a core. {lol this would have totally been a magical girl henshin}
KAWORU: This is my…… true form……?
At which point a deadly laser shines on Kaworu.
But, his AT Field deflects it.
INT. NERV HQ COMMAND CENTER
MISATO: Regular weapons are useless against an Angel!
RITSUKO: Immediately overwrite Unit 02's personal data with Asuka's!
IBUKI: Yessir!
INT. PART OF THE UNDERGROUND STRUCTURE
Kaworu heads toward Central Dogma.
He's breaking through the AT Field defense wall.
INT. NERV HQ THIRD CAGE
Unit 02's entry plug is being inserted.
INT. UNIT 02 - ENTRY PLUG
ASUKA: See, what did I tell you!
INT. NERV HQ THIRD CAGE
Unit 02 begins startup procedure.
IBUKI'S VOICE: Main power connected. Initiating startup sequence.
OPERATOR A'S VOICE: Startup voltage in 0.5, 0.2… breakthrough.
OPERATOR B's VOICE: Startup system entering phase two.
INT. UNIT 02 - ENTRY PLUG
Asuka prepares for startup, holding the levers.
OPERATOR C'S VOICE: Pilot, connected.
OPERATOR A'S VOICE: Synapses connected, initiating binding.
The plug's inner walls start to deform in various ways, the picture becomes distorted.
ASUKA: ––!?
OPERATOR B'S VOICE: Her pulse is disturbed!
INT. NERV HQ THIRD CAGE
Unit 02's startup sounds are rapidly fading
INT. NERV HQ COMMAND CENTER
IBUKI: The pilot's harmonics aren't within acceptable limits!
MISATO: ……
INT. UNIT 02 - ENTRY PLUG
Asuka's shoulders tremble as she hangs her head.<nr> The light that had shone on her heartlessly goes out.
INT. NERV HQ COMMAND CENTER
The control room rises and Ikari and Fuyutsuki appear.
FUYUTSUKI: So, you allowed an Angel to get into [Central Dogma].
RITSUKO: My apologies. The fault is all mine……
IKARI: This is a massive blunder, Professor Akagi. I am dismissing you from all of your duties at NERV.
For a second, Ritsuko can't believe her ears.
IKARI: Leave immediately. (To everyone) I will be in direct command from hereon, you'll be following my orders. Lieutenant Katsuragi, prepare Unit 01 for standby immediately.
MISATO: Yessir.
IKARI: Commence startup of α Eva.
IBUKI: Roger that.
The central control staff are in a panic.
No one even looks at Ritsuko.
IKARI: What are you doing, Professor Akagi. Only authorized personnel are allowed in this area.
Ritsuko turns around and leaves.
INT. NERV HQ - CAGE
We see α Eva starting up.
A dummy plug being loaded in.

INT. NERV HQ - SICKBAY
Shinji stands dumbfounded holding the phone.
SHINJI: (In barely a whisper) Kaworu is…… An Angel…….!?
MISATO: Hello? Shinji? Can you hear me?
SHINJI: (Screaming) No! You're lying!!!
INT. NERV HQ - CENTRAL DOGMA
Kaworu continues to descend into Terminal Dogma.
There, we find an object that resembles a large, inverted tree.
Before that gate/door, Kaworu senses something.
INT. NERV HQ - SOME ROOM
Kaworu walks in.
The room is full of broken beakers and test tubes.
It's some kind of lab that was wrecked and just left as-is.
On the wall is the symbol of the Human Instrumentality Project, the seven-eyed mark.
A rainbow/rainbows come off the beaker/s as the light hits it/them.
REI: –––Who are you?
Rei comes out from where she was hiding.
KAWORU: Oh it's you…. What are you doing in this place?
REI: This is where I was born and raised.
KAWORU: Hm. I had a feeling when we shook hands, but you really aren't a Lilin are you?
REI: Lilin?
KAWORU: Human that is.
REI: You're an Angel aren't you?
KAWORU: Angel!? (He laughs like it's preposterous) I'm on servant of God.
REI: When did you realize you weren't a Lilin?
KAWORU: I think it was when I turned ten. I came to this city and first understood my fate. This is what I was seeking.
He says, pointing out the seven-eyed mark.
KAWORU: The real thing is somewhere nearby. Would you take me there?
REI: I can't. You'll cause the Third Impact.
KAWORU: (Not quite believing her) You mean I'll cause a horrible disaster just like the Second Impact?
REI: Yes.
At which point we hear a GUOOOOON! GUOOOOON! sound continuously.
KAWORU: An Eva is coming after me.
REI: (Listening to the sound) It's not Unit 01 or Unit 02 though.
INT. NERV HQ - CENTRAL DOGMA
The Angel and Rei leave the room. {from this point on Kaworu is referred to only as 'the Angel' in the stage directions}
α Eva appears from the darkness.
α Eva, upon confirming the presence of an Angel, attacks like a wild beast having spotted its prey.
The Angel runs away, dragging Rei by the hand.
The Angel handily dodges the berserk α Eva.
Almost like Benkei at Gojo bridge. {http://en.wikipedia.org/wiki/Benkei}
α Eva crashes into a wall and it crumbles.
Through the thick smoke, the upper body of a seven-eyed giant can be seen nailed to a cross.
REI: Adam……
KAWORU: Adam!?
The Angel and Rei are cornered by some of the rubble.
In an act of utter brutality, α Eva swallows the two of them whole.
Nothing more can be done!
At which point Unit 01 appears.
Unit 01 skewers α Eva on its Prog Knife, and cuts it open.
α Eva dies horrifically.
INT. UNIT 01 - ENTRY PLUG
Shinji confirms Rei on the screen.
SHINJI: Ayanami, are you okay?
REI: Yeah.
INT. CENTRAL DOGMA
At some point, the Angel made it to the catwalk overlooking Adam. {how the fuck did Kaworu get here}
The Angel stares at Adam, not moving a muscle.
Ikari's voice comes over the PA system.
IKARI: Angel. Why do you not advance any further?
KAWORU: Commander Ikari, I presume?
IKARI: Indeed.
KAWORU: This is your 'Temple of Memories' isn't it?
INT. PA SYSTEM LOCATION {?}
IKARI: Why do you make no attempt to make contact with Adam? Could it be that you pity humanity?
KAWORU: I'm the one who deserves your sympathy. Because continuing to live is so difficult.
IKARI: You chose death?
INT. CENTRAL DOGMA
KAWORU: Death is the single act of free will I have. The only way to defy my maker.
IKARI: But that's contrary to the basic principle of life.
KAWORU: Angels are creatures that constantly evolve. We have no predetermined form. And death is but another part of life.
We hear Shinji's voice coming from Unit 01.
SHINJI: Kaworu……
KAWORU: Shinji. I knew it would come to this, so I'm glad we had a chance to swim in the ocean together.
INT. UNIT 01 - ENTRY PLUG
SHINJI: You deceived me? You used me?
KAWORU: That's not quite right. I had so much fun spending those days with you. You're the only one who can end my life. If it's by your hand, nothing could bring me greater joy, even death.
SHINJI: (Sobbing) How am I supposed to be able to do that!
INT. CENTRAL DOGMA
KAWORU: Hurry. I can feel something stirring inside me. I think it's my instinct. Right now, I feel like you did before, I don't even know myself. {er, he's mirroring Shinji's line about not knowing why he's crying}
INT. UNIT 01 - ENTRY PLUG
SHINJI: ……
KAWORU: Hurry!
INT. CENTRAL DOGMA
Kaworu suddenly turn around and jumps, diving toward Adam.
REI: Ikari!
INT. UNIT 01 - ENTRY PLUG
SHINJI: –––!
INT. CENTRAL DOGMA
Unit 01 reaches out and grabs the Angel just before it makes contact with Adam.
Crunch.
With that sound, we see a faint grimace on Rei's face.
Blood flows from Unit 01's hand, trickling down.
Finally, Shinji's screams fill the huge room.
(FADE OUT)
INT. CAGE - SOME TIME HAS PASSED
Unit 01 in the coolant.
Shinji is in a corner washing his hands at a sink.
Misato comes over.
MISATO: Shinji…
SHINJI: (Without turning around) The scent of his blood is gone. But, I can still feel it in my hands……
MISATO: Shinji, you admired him didn't you?
SHINJI: He had everything I didn't. He should have survived.
MISATO: That's not true. Only those who desire to live survive.
Shinji doesn't say a word and intently washes his hands.
INT. LOCKER ROOM
Asuka stands there alone.
The door of the locker in front of her is covered in dents like someone punched it over and over.
ASUKA: –––
INT. HALL
We hear the clanging of Asuka beating on her locker from the locker room.
Rei leans against the wall, as if dizzy.
She eventually ends up lying on the ground.
INT. RITSUKO'S LAB
Ritsuko, alone, thinking about something intently.
Several MPs enter the room without knocking.
MAN A: (Holding out a warrant) Akagi Ritsuko. You are under arrest. I'm sure you know all too well what the charges are, Professor, would you care to hear them?
RITSUKO: No, no need. It'd just be a waste of time.
Ritsuko is taken away.
INT. SOMEWHERE - HUMAN INSTRUMENTALITY PROJECT
The committee is gathered.
KEEL: We have just confirmed the elimination of the final Angel as predicted in the scenario. Now there are no barriers to the Human Instrumentality Project.
MEMBER A: But we have a new problem. Ikari Gendou and Unit 01.
MEMBER B: Nerv is of no use to us now.
MEMBER C: He's been using his position as commander to turn Nerv into his personal property.
MEMBER D: Our investigation up until now makes it painfully clear that Ikari has been plotting to turn Unit 01 into a "god" and keep it to himself.
KEEL: As head of SEELE, I think we should dissolve Nerv.
INT. NERV HQ - MAIN COMMAND CENTER
Fuyutsuki and Ikari plotting something.
(FADE OUT)
>> No.811173 Ответ
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>> No.811411 Ответ
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И наконец предпоследний вариант 24 эпизода, из которого родилась финальная версия. Впечатляющий анонс: крипота, секрет призрачного тела Рей, снова шрамы на запястьях Каору, прошлое виолончели Син-тяна, наконец, ПОЦЕЛУЙ.
Часть 1

NEON GENESIS EVANGELION EPISODE 24 "THE FINAL ANGEL" (SECOND DRAFT)

INT. NERV HQ - COMMAND CENTER
Misato stands before Ikari and Fuyutsuki.
MISATO: (Looking shocked) The Fifth Child…… really!?
IKARI: Yes, the fifth candidate will be arriving shortly. Overwrite Second's personal data in Unit 02 with the Fifth's.
MISATO: But, what about Asuka……?
IKARI: We can't keep useless items lying around forever. Send her back to Germany when you have an opportunity. That is all.
MISATO: ……
IKARI: Do you have something to say to me?
MISATO: No…… Excuse me.
FUYUTSUKI: The Fifth Child. He's probably a SEELE spy.
IKARI : He's coming here directly, bypassing the Marduk mechanism.
FUYUTSUKI: They seem to be quite impatient now.
IKARI: Let's watch and wait for a bit. According to the Dead Sea Scrolls there's still one Angel left.

THE LAST ANGEL

A WESTERN-QIN STYLE PAINTING OF A RURAL EUROPEAN LANDSCAPE (ASUKA'S DREAM)
Asuka on her way home from school (age 12), her eyes light up as she runs home.
INT. HOME
Asuka bursts in, a big smile on her face.
ASUKA: Mama! I was chosen! I was chosen as an elite pilot to protect humanity! To protect the world!
She says, placing her bag on the sofa and walking about the house.
ASUKA: It's a secret. But can tell you Mama! Everyone's so nice to me. So it won't be lonely.
But Asuka's mother doesn't respond.
We just hear the voices coming from the TV.
ASUKA: (With a slightly anxious expression) So, it doesn't matter that Papa's not here. We won't be lonely.
Asuka's mother is nowhere to be seen.
ASUKA: Hey, Mama, where are you? Mama! Mama!
Suddenly a THUMP THUMP THUMP! Comes a knock at the door.
MISATO: Asuka! Asuka!
INT. NERV HQ, GEOFRONT, RESIDENTIAL SECTOR ASUKA's ROOM
The door opens with a BAM! Misato crashes in with emergency medical personnel.
MISATO: Asuka……!
Asuka is curled up in a corner of the room, hugging her knees. Her eyes are blank and sunken, her cheeks are hollow, her lips pale. She barely resembles herself.
A male paramedic checks her eyes and tongue with a pen light.
PARAMEDIC: It doesn't seem like she's been eating or drinking. She's very dehydrated. She needs to be hospitalized immediately.
MISATO: Asuka! Do you want to die or something!?
ASUKA: (Crackely) There's no reason for me to be here anymore…… There's no reason for me to go on living……
MISATO: ––
A stretcher is brought in and Asuka is put on it.
INT. NERV HQ - HALLWAY
The stretcher with Asuka on it comes out of room #02.
A bit after, Misato follows.
Misato notices Shinji standing in the hall.
SHINJI: What's wrong?
MISATO: Nothing. Asuka's just not feeling very well. She'll be okay.
SHINJI: Oh……
MISATO: Bye––
And Misato leaves, following the stretcher.
INT. CAGE
Unit 01 submerged in coolant.
INT. UNIT 01 - ENTRY PLUG
Shinji appears to be in low spirits.
SHINJI: (MONO) Nothing…… huh. Misato didn't tell me the truth. I wonder what happened to Asuka. And Ayanami……
Insert –– The Reis in the test tube all look toward us at once.
SHINJI: (Sighing) Mom, what is Dad doing?
Unit 01 doesn't answer.
INT. SPECIAL SOLITARY CELL
Ritsuko is bound in a small room of iron bars.
She's bound by several leather straps, her once commanding expression is nowhere to be seen. It's almost like her soul has left her body.
Thunk, thunk, thunk…… Eventually we hear footsteps coming from the hall.
Ikari's figure appears in the faint light.
RITSUKO: (Still blankly) My cat died…… The one I left in my grandmother's care…… I never really took care of it, but…… all of a sudden…… I'll never see it again.
IKARI: Professor Akagi, why did you destroy the dummy plug?
Ritsuko doesn't respond, she just looks ahead, with a faint smile on her lips.
IKARI: I'll ask again. Why?
RITSUKO: Because you're a shitty lay. Plus, I didn't destroy the dummy system. I destroyed Rei……
IKARI: What?
RITSUKO: Those things aren't human. They're just human shaped objects. So they didn't die. They were destroyed. Rei is just your plaything. I never could became your plaything though……
IKARI: ––
RITSUKO: I wonder, Commander, did you come here because your new toy isn't working out so well? Since a familiar toy is here. Just do what you will. I'll do whatever. But, I'm sure I can't compete with the playful spirit of that doll of yours.
IKARI: You're a disappointment.
RITSUKO: Disappointment……?
Ritsuko suddenly bursts into raucous laughter.
RITSUKO: You never wanted anything to begin with! You wanted nothing from me! Nothing!
Tears spill out, and her laughter suddenly turns into sobs.
Ikari stands there silently.
Gashann! The door closes and the sound of Ritsuko's sobs are cut off.
INT. HALL - DREAM
Shinji stands in front of the elevator.
The door opens.
Rei is inside.
Countless Reis are reflected in the stainless steel.
Shinji and Rei's eyes meet and Shinji is petrified.
INT. SHINJI'S ROOM
Shinji throws himself onto his bed.
SHINJI: ……
EXT. AERIAL VIEW OF TOKYO-3
The city is in ruins from Unit 00's suicide attack during the previous battle.
Shinji wanders about the abandoned city, a strong wind blowing through as he stumbles over the rubble.
EXT. ANOTHER AREA
Shinji is walking about, he hears a piano coming from somewhere.
EXT. SCHOOL
The blast has turned the building to ruins.
INT. SCHOOL - GYMNASIUM
A lone boy innocently plays the piano.
He has a shockingly beautiful face.
The boy notices Shinji's gaze and stops playing
BOY: Oh, is someone there?
SHINJI: Who are……? You're not a student of this school are you?
BOY: I'm a transfer student.
SHINJI: Transfer student?
BOY: I brought my transfer papers where the school was supposed to be, but as I suspected, not a soul is here.
SHINJI: Everyone was sent away to Tokyo-2. Both the teachers and students.
BOY: Why are you still here?
SHINJI: I was left behind.
BOY: Haha. Poor thing.
An ominous sound fills the building.
SHINJI: The wind……
BOY: I thought it might have been the sound of spirit voices.
SHINJI: Spirit voices?
BOY: Didn't you know? In the dead of night in the school gymnasium, you can hear voices making merry.
SHINJI: No.
BOY: They say that the spirits of children who aren't done playing leave their bodies as they sleep, and gather in these places.
SHINJI: Huh.
BOY: In the Heian period, they called this flitting out of spirits, "akugaru" which has now become the word "akogareru." {I'm stumped on a good English rendition for this, "akugaru" is like Kaworu says, that whole spirit leaving the body thing, but I guess the fundamental idea here is one's soul being drawn out by some strong desire. The modern word which allegedly derives from it is "akogareru" or "to yearn for" (or admire, but I think yearning fits most here)}
The ominous sound fills the building again.
Shinji looks up at the ceiling, frightened.
It almost seems like we can hear the voices of those children in the sound.
Shinji comes back to his senses and notices that the boy is gone.
SHINJI: (Looking around) ––Hey! Where'd you go!
But the boy doesn't respond.
SHINJI: ……
INT. GEOFRONT, LOBBY OF THE CEILING BUILDING {天井ビル again, whatever that is}
Rei has been awaiting orders.
Shinji comes a bit later, and stands next to her.
REI: ––What?
SHINJI: Uh……
REI: You seem startled. You were looking at me in the elevator.
SHINJI: Not really……
REI: Oh.
And that's when Misato comes in, with someone else in tow.
MISATO: Alright you two, everyone's here. Let me introduce you. This is a new pilot candidate, Nagisa Kaworu.
SHINJI: The Fifth Child……?
Shinji is shocked when he sees him.
He's the boy he saw in the gymnasium playing piano.
MISATO: This is the pilot of Eva Unit 01, Ikari Shinji. And formerly Unit 00's pilot, Ayanami Rei.
KAWORU: Pleased to meet you. I look forward to working together.
REI: (Expressionlessly) Same here.
MISATO: (To Kaworu) If there's anything you need to know about living here, just ask Shinji.
KAWORU: (Holding out his hand). Pleased to meet you, Ikari Shinji.
As they shake hands, he looks intently at Shinji's eyes.
Shinji looks away.
Kaworu smiles when he sees this.
INT. NERV HQ - PLUG TEST ROOM
Three test plugs are submerged in liquid.
Rei, Kaworu and Shinji have their eyes closed.
Slowly and quietly they sink into the interior.
INT. NERV HQ - CONTROL ROOM
The three of them are on the monitors.
IBUKI: #0 is nearing the contamination limit. That's as far as she can go. #1 and #5 can go a bit further.
MISATO: You mean his harmonics are better than Rei's?
IBUKI: They're way beyond Shinji's numbers from before when that happened.
Kaworu's wave pattern comes up on the screen.
IBUKI: Take a look at #5's personal pattern! He shouldn't be compatible with Unit 02, but they're so similar.
MISATO: So he can sync with Unit 01!?
IBUKI: It should be impossible.
MISATO: Did you hear that from Ritsuko…… Professor Akagi?
IBUKI: No…… I was informed about the Fifth's existence though.
MISATO: Estimate his sync rate with Unit 02.
IBUKI: (Calculating) 270%!
MISATO: Could that happen in Unit 02 too……!?
IBUKI: No way, I don't believe it!
MISATO: But it is true. We've gotta accept it, find out the cause.
INT. NERV HQ - TEST SITE
The plug hatches open after the test ends.
After Shinji gets out, he hurries to leave.
Kaworu watches him from behind.
INT. NERV HQ - PUBLIC BATH
Shinji taking a bath.
We hear the door open and close.
Kaworu's slender figure appears out of the steam.
KAWORU: You always head off before everyone.
Shinji averts his eyes from Kaworu's naked body.
KAWORU: I wonder, are you avoiding me?
SHINJI: I'm not avoiding you or anything.
KAWORU: You're such a liar. You totally are.
SHINJI: You should have told me you were the Fifth Child.
KAWORU: That's my line. I didn't know you were the Third. ––Are you mad about that?
SHINJI: Not really.
KAWORU: Is it always like this? Like, kinda tense?
SHINJI: Tense?
KAWORU: Both Lieutenant Katsuragi and you.
SHINJI: A lot of stuff has happened. Before you came, Mr. Kaji and Ayanami, they……
KAWORU: What happened to the First?
SHINJI: Uh…… Nevermind.
KAWORU: Tell me.
SHINJI: I don't want to talk about it.
KAWORU: Oh, so it's confidential.
SHINJI: ……
Kaworu enters the water.
KAWORU: But, it's made you pretty timid when it comes to human contact.
SHINJI: I've always been like this. If I don't know someone, we can't betray or hurt each other.
KAWORU: But isn't that kind of lonesome?
SHINJI: That's just how it is. I was born this way. I can't change. I hate that about myself so much. To be honest, I want to scream and run away from myself.
KAWORU: But I always hear you saying that you mustn't run away.
SHINJI: I figure, if I'll get reborn as a new person when I die, I don't mind if I do.
KAWORU: I dunno about that. You seem to be a person who values yourself above all else.
SHINJI: ……
KAWORU: (Abruptly) Let me see your hand.
SHINJI: Huh……?
KAWORU: Your left hand.
Kaworu takes Shinji's left hand and examines his palm.
Shinji is startled when he notices several scars on Kaworu's wrist.
KAWORU: You have callouses on your finger tips.
SHINJI: It's from playing cello.
KAWORU: Cello?
SHINJI: I play a little.
KAWORU: How lovely.
Kaworu gripping his left hand.
Skin touching skin……
Badump, badump, Shinji's heart pounds wildly.
SHINJI: Sorry…… I need to get out……
He says, letting go of Kaworu's hand and leaving the bath.
Shinji's heart pounds even harder.
He staggers to his feet.
Shinji faints.
WIPE OUT
>> No.811412 Ответ
>>811411
Часть 2

INT. NERV HQ, RESIDENTIAL AREA - SHINJI'S ROOM
Shinji realizes he's lying on his bed.
Kaworu is looking down at him.
KAWORU: You awake?
SHINJI: ……
KAWORU: You passed out. You really scared me when you collapsed.
SHINJI: Sorry…… for being such a bother.
KAWORU: You must be tired. I'm sure. So much has happened.
SHINJI: Yeah. A lot has happened……
Kaworu notices the cello in the corner of the room.
KAWORU: Is that yours?
SHINJI: Yeah.
KAWORU: It's a nice cello.
SHINJI: It was my mother's.
KAWORU: Oh, I know. We should play together. You on cello, me on piano. I'm sure it'll calm you down. It must be suffocating being trapped underground, just doing Eva tests all day.
SHINJI: But, I don't think my cello playing is as good as your piano. I'm embarrassed.
KAWORU: It'll just be for fun. Plus, what do we have to be embarrassed about at this point?
Shinji remembers his disgraceful behavior, and his pale face turns bright red again.
KAWORU: Is there a piano somewhere around here?
SHINJI: I think there should be one in the lounge.
KAWORU: I have a startup test with Unit 02 tomorrow. Let's go tomorrow after that. Promise?
SHINJI: Okay.
KAWORU: Well, I should be going.
SHINJI: Good night.
KAWORU: Good night––
Kaworu's face slides toward Shinji's.
Kaworu gives Shinji a kiss.
Shinji doesn't refuse him, he notices how naturally he accepts it.
Feeling strangely calm, he looks up at the ceiling light.
SOMEWHERE IN THE GEOFRONT
Misato confiding in Hyuga.
MISATO: (Looking up from some papers) ––Dead Sea Scrolls!?
HYUGA: Yeah. I tried investigating the Fifth like you said, Ms. Katsuragi, but as I was digging, I found something strange in an unexpected place.
MISATO: So you're saying the Angels are mentioned in the Dead Sea Scrolls?
HYUGA: Not just the Angels. But Adam, the Second Impact and the Human Instrumentality Project even.
MISATO: (Scanning over the end of the document) So there's one Angel left……?
HYUGA: It seems like the higher ups knew already.
MISATO: The commander?
HYUGA: Not just him, but the assistant commander and even Professor Akagi too. Nerv's predecessor organization, Gehrin seems to have been based on the scenario detailed in these Dead Sea Scrolls.
MISATO: ……
HYUGA: Seems like we both got ourselves tangled up in some ridiculous organization, huh?
Hyuga hands Misato some more documents.
HYUGA: Here's my research on the Fifth Child. There's nothing suspicious in his history. Before he came, he had some contact with the committee, but there are no traces of it being organized. It seems like a lot has happened in his family life. Well, I guess he's just a pretty boy who's experienced much misfortune.
MISATO: Just your type, huh. {whaa, Hyuga's a homo?}
HYUGA: Jeez……
Misato flips through the pages of the documents and her face grows dim when she sees something.
HYUGA: What is it?
MISATO: His birthday……
HYUGA: (Looking over at the document) ––?
MISATO: It's the day of the Second Impact……
INT. NERV HQ - PILOT'S LOCKER ROOM
Kaworu is changing.
He clicks the switch on his wrist and the plugsuit conforms to his body.
Kaworu gazes at his wrist for a bit.
INT. NERV HQ - TEST SITE #7
The voices of the operators come and go over the intercom.
They're preparing for Unit 02's activation test.
INT. NERV HQ - HALLWAY
Kaworu heads out having changed.
Rei is waiting for him.
REI: (Handing over a card) Here. It's a flow chart of today's startup test. Please look it over, including the times.
KAWORU: Thank you.
Rei and Kaworu's fingers touch ever so slightly as he takes it from her.
Their expressions change as if they've both realized something.
KAWORU: So that's what Ikari meant……
REI: ––
KAWORU: You're just like me. I think I have a better idea of what I'm supposed to do now.
REI: Just who, are you……?
KAWORU: (Without answering) Well, bye.
And he leaves.
Rei watches him walk off.
INT. UNIT 02 ENTRY PLUG
Kaworu inside.
IBUKI'S VOICE: Commencing Unit 02 activation test.
INT. CONTROL ROOM
Misato, Ibuki and the operators are at their stations.
IBUKI: Initiating first connection phase. All main electric circuits connected.
OPERATOR A: Electric connections complete. Initiating activation system.
OPERATOR B: Operation voltage at critical in 0.5……0.2……breakthrough.
INT. UNIT 02 ENTRY PLUG
OPERATOR A'S VOICE: Initiating connection between pilot and Unit 02.
OPERATOR B'S VOICE: Circuits open.
INT. HALLWAY
Shinji watching the activation test from the window.
ANNOUNCER: Absolute border in 0.9, 0.7, 0.5, 0.4, 0.3…… {絶対境界線 - sorry, I don't remember how most of the technobabble terms translate 'officially,' so I'm kinda bullshitting through these parts}
INT. NERV HQ - TEST SITE #7
Unit 02 tears off its restraints and begins to struggle.
INT. CONTROL ROOM
IBUKI: Contact suspended!
OPERATOR C: It's not working, we can't control Unit 02!
IBUKI: Isolate all circuits! Cut the power!
INT. NERV HQ - TEST SITE #7
The [umbilical] connector is shot out of the socket.
Unit 02 begins to destroy the walls.
INT. HALLWAY
The ceiling is crumbling.
Shinji hurriedly escapes.
INT. CONTROL ROOM
MISATO: Another berserker!?
IBUKI: No, it's not berserk. It's moving according to the pilot's wishes!
INT. ANNOUNCEMENT AREA {like wherever the PA system mics and shit are I guess}
A warning alarm sounds.
HYUGA: (Into the mic) We've detected and AT field from Unit 02 in test site #7!
INT. CONTROL ROOM
MISATO: No way. You mean he's an Angel!?
INT. HALL
SHINJI: No! That's a lie!
INT. ANNOUNCEMENT AREA
FUYUTSUKI: A humanoid Angel!
IKARI: So SEELE held the joker themselves.
INT. NERV HQ - TEST SITE #7
Unit 02 has destroyed everything it could [in the area].
And then it breaks through the wall and leaves.
INT. CONTROL ROOM
MISATO: It's heading for Dogma!
INT. ANNOUNCEMENT AREA
A spot on the screen is flashing to indicate where Unit 02 broke through.
AOBA: Unit 02 is heading for the underground structure.
FUYUTSUKI: You're going to allow an Angel to enter Dogma again?
IKARI: Sortie Unit 01 immediately. Prevent [the Angel] from entering Terminal Dogma at all costs.
INT. CAGE
Shinji runs along the catwalk.
Rei is standing at the hatch, already in her plugsuit, trying to get into Unit 01's entry plug.
SHINJI: ––Ayanami!
REI: I'll go.
SHINJI: Why?
REI: Because you have feelings for him. {she uses あこがれる, I only mention this because Kaworu brings up the word earlier}
SHINJI: ––
REI: You won't be able to dispose of him will you?
SHINJI: I'm the pilot of Unit 01……
Shinji pushes Rei aside and opens the hatch.
INT. CENTRAL DOGMA
Unit 02 moving down.
INT. CAGE
Unit 01 sortieing and heading underground.
INT. ANNOUNCEMENT AREA
Misato, Ibuki and the others return.
HYUGA: Unit 01 has departed.
MISATO: Will Shinji make it in time?
HYUGA: It's 50-50 at this point.
MISATO: (In Hyuga's ear) If worst comes to worst, we'll have to destroy everything. We can't let it affect the rest of the world.
HYUGA: I don't mind, if it's with you.
MISATO: Thanks.
Hyuga, calmly as ever, plugs in the key for the self-destruct switch.
INT. CENTRAL DOGMA
Unit 01 is descending at immense speed.
INT. UNIT 01 ENTRY PLUG
SHINJI: (Frantic and angry) Damnittt!
INT. CENTRAL DOGMA
Unit 02 descending.
Finally, Unit 01 catches up.
INT. UNIT 01 ENTRY PLUG
SHINJI: You betrayed me! You betrayed my feelings! You betrayed me just like my father!
INT. CENTRAL DOGMA
Unit 01 pulls out its prog knife.
Unit 02 follows suit, accepting the challenge.
They fight viciously hand to hand with the knives.
The blades cross repeatedly, discharging plasma, sparks fly.
INT. ANNOUNCEMENT AREA
Everyone holds their breath watching the Evas fight.
INT. CENTRAL DOGMA
The two Evas finally reach the bottom.
A wall crumbles, revealing Adam.
INT. UNIT 01 ENTRY PLUG
The crucified upper body of the seven-eyed giant.
The bizarre, objet d'art makes Shinji flinch for a second.
INT. ANNOUNCEMENT AREA
MISATO: Shinji!
INT. CENTRAL DOGMA
Without hesitation, Unit 02 slices Unit 01 with its blade.
Unit 01's prog knife pops off and falls into the sea of LCL.
INT. UNIT 01 ENTRY PLUG
SHINJI: ---!
INT. CENTRAL DOGMA
Unit 01 and Unit 02 do battle in front of Adam.
But, Unit 02 throws away its prog knife.
It vanishes into the sea of LCL.
KAWORU: The Eva series. Born of Adam, a being you should have stayed away from. But you Lilin used it and survived. I don't understand it.
Unit 02 stops moving.
The entry plug comes out slowly and Kaworu gets out.
INT. UNIT 01 ENTRY PLUG
SHINJI: You tricked me? Were you just using me?
KAWORU: That's not it at all. I think it was a wonderful thing that I got to meet you. I've reached my destination. I have no intent to continue fighting. I never wanted to quarrel with you in the first place.
INT. CENTRAL DOGMA
Kaworu before Adam.
KAWORU: Once I touch this monster, the path of humanity will close.
INT. UNIT 01 ENTRY PLUG
SHINJI: The path of humanity?
KAWORU: Yes, the path of human evolution. But, it really doesn't matter either way to me. You're the only one who can end my life. If it's by your hand, I couldn't be happier, even if it means my death. I do feel a little regretful that we didn't have a chance to perform together though.
SHINJI: Let's go back together. We'll do it together. I got up early this morning to practice a bit even.
INT. CENTRAL DOGMA
KAWORU: I'm sorry, but I can't. I can feel something stirring inside me. I think it's my instinct.
INT. UNIT 01 ENTRY PLUG
SHINJI: ……
KAWORU: Hurry!
INT. CENTRAL DOGMA
Kaworu suddenly turns and dives toward Adam.
INT. UNIT 01 ENTRY PLUG
SHINJI: ––!
INT. CENTRAL DOGMA
Unit 01 reaches out and grabs the Angel just before it makes contact with Adam.
Crunch.
Blood flows from Unit 01's hand, trickling down.
Finally, Shinji's screams fill the huge room.
INT. ANNOUNCEMENT AREA
MISATO: ……
Hyuga removes the self-destruct key.
FUYUTSUKI: It's over.
IKARI: Yes. But, now the real battle begins.
INT. SOMEWHERE - HUMAN INSTRUMENTALITY PROJECT
The committee is gathered.
KEEL: We've just confirmed the elimination of the AT Field. Adam's children, the Angels are all destroyed. The only remaining Angels are us, humanity. The promised time has come, for when we shall entrust our souls to Lilith and purify this filthy world.
MEMBER A: But before that, we should do something about this troublesome pimple on our face. {oh why can't I remember the English idiom for this}
MEMBER B: Ikari Gendou.
MEMBER C: He's been using his position as commander to turn Nerv into his personal property.
MEMBER D: We have clear evidence that he's been diverting from the plan.
KEEL: Gentlemen! I hereby declare Nerv dissolved and the Eva project suspended.
>> No.811429 Ответ
Файл: Shinji-sad-bildungsroman7.jpg
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>> No.811677 Ответ
Файл: 260px-Op_C013_gendo.jpg
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>>807375
Почему я один бумпаю тред?
>> No.811710 Ответ
Файл: zentSGPUALI.jpg
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>>811677
Кажется, все давно улетели.
>> No.811759 Ответ
>>811710
Куда?
>> No.811801 Ответ
>>811759
Да кто знает. В теплые края, наверное. В Испанию за Рей-куном.
>> No.811845 Ответ
Файл: 4cd06c35ce6f.jpg
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>>811801
> > за Рей-куном
>> No.812788 Ответ
Гайнаксач всё
>> No.812789 Ответ
>>812788
В смысле?
>> No.812790 Ответ
>>812789
Гайнаксач закрыли
>> No.812792 Ответ
>>812790
Реально? А где четвёртый Ребилд?
>> No.812793 Ответ
>>812790
Пруфы?!
>> No.812794 Ответ
>>812792
Ну,вроде Анно начал над ним работу.
>> No.812796 Ответ
>>812793
Сегодня доска /gnx/ закрывается для постинга.
Она была создана в 2010 году по просьбе администрации Ычана и, к сожалению, не получила большой популярности.
На данный момент и администрация Ычана, и администрация 410чана настроены на сокращение количества неактивных досок. Студия «Gainax» на данный момент перестала выпускать аниме, проекты выходцев из неё куда активнее обсуждаются в /a/.
Всё это привело к решению о закрытии данной доски.
Тем не менее, я хочу поблагодарить всех, кто пользовался ею вплоть до этого момента. Спасибо, что были с нами эти шесть лет.
>> No.812798 Ответ
>>812796
Печально конечно, но я про студию подумал.
>> No.812799 Ответ
>>812798
Она и без того живой труп
>> No.812800 Ответ
>>812799
Да, ты прав.
>> No.812801 Ответ
>>812800
Да, ладно, Анно взбодрится и создаст новую Йоба-студию.
>> No.812802 Ответ
>>812801
Но ведь он уже ее создал.
>> No.812804 Ответ
А что там про Aoki Uru?
>> No.812805 Ответ
>> No.812807 Ответ
>>812801
Мне наплевать на Анно, няш. ГАЙНАКС любимая моя студия. Жаль, что она в том состоянии, в котором находится нынче.
>> No.812810 Ответ
>>812794
“First of all, I would like to apologize. I have kept you waiting for the new Evangelion for a very, very long time. I am deeply sorry. To me, Evangelion is my soul; it is a work that scrapes off bits of my soul. The previous work, Evangelion Shin Gekijouban: Q scraped me down until I wasn’t able to make anything anymore.” “I felt saved by the opportunity to work on Godzilla: Resurgence. Now I feel like I can continue working on Evangelion.”
>> No.812813 Ответ
>>812810
What am I doing next? And why have I decided on a tokusatsu film?

Evangelion 3.0 was released December 2012. I was a broken man. It was what you might call depression. The demons inside me I thought I’d gotten rid of six years ago when I decided to make Evangelion again suddenly returned.
2013. A year when waves of negative emotions kept coming back. I couldn’t even bring myself to go to the studio of which I’m the representative, which is creating my works, once. My relations with other people and the outside world becoming strained, and suffering from complete exhaustion, I sank into mental instability.

I caused a lot of trouble for people during that time. But thanks to my wife and friends, I was able to stay in this world. Mr. Hayao Miyazaki asked me to be in his movie [The Wind Rises], and a friend of mine made a remake of an anime I liked when I first became a fan, and those things helped me cling to the world of anime production. As a tokusatsu fan, another friend’s sentai series helped support me as well.

November of that same year, I supervised Shiro Sagisu’s “petit film” music video. Once more, I was reminded of why anime is interesting, once more, why I like anime, once more, why I keep returning to the studio. I also realized the staff and studio, exhausted from making Evangelion, needed a fresh project. From that idea came the Animator Expo idea, which is still going. I’m very happy we decided to do it.

The beginning of 2014. I finally returned to the studio, and after more than a year of mental rehabilitation, I returned to working on anime. That same year, the Tokyo International Film Festival showed my old high school works. I was happy to be able to look back on that time.

Finally, 2015. This year the original Evangelion series turned 20 years old, and after more than two years of delay, work is slowly moving forward on the new Evangelion. I’m able to move forward thanks to the support of those around me and the motivation I receive from anime fans. I’m truly thankful for that support. I’m happy for all the patience everyone is showing for the new Evangelion film. At the same time, I’ve taken on a roll working on a new tokusatsu special effects film. It all started at the end of January 2013. I received a request from Toho asking, “we’d like you to be the director of a new Godzilla film.” At that time, in my poor mental state, I responded, “it’s impossible. I’m busy with Evangelion.” After I declined, Toho asked my good friend director Shinji Higuchi, who accepted that March. But afterward, I decided to take on the role of chief director. Not only do I want to carry on the torch of the past, but I realized that only by bringing my hopes for a revival of science fiction films and the ideas I put into the Tokusatsu Museum to reality can I truly bring my concepts and responsibilities to fruition, and give back to the artists and the works that have come before me. This is why I've decided to take on this project.
I took on the project because it can only be done now, because now is the time, because it’s a new challenge. I took on the project because I know I can’t progress on Eva until I work on something new. In May of 2013, we decided on the theme of the project. Then in June, we submitted a document we called the “G Project Memo” with details of the plot, etc., to Toho. The science fiction world of Godzilla is populated not just by dreams and fantasies, but by caricatures and reflections of real life. Even in today’s Japan, people are experimenting with such projects. Honestly, with a Japanese film budget, which are very low compared to those of other films around the world, we’re not sure how far we’ll be able to go.
At the same time, I feel with this project as well as with Evangelion, a pride in making stories only I can make. I understand that when an artist says anything it is ultimately just an excuse, and that I am putting myself in a position where I receive people's opinions, both good and bad. I am writing this to ask of you to understand, even just a small amount, that I am taking the responsibility of making, in this day and age, the hallmark of Japanese science fiction films.
Finally, I want to express my gratitude to those around me and to the fans who have lent me support. It’s because of you I’m able to create again.
>> No.813971 Ответ
Файл: 5cc531e56b35c2012eaf9883fc2c8766a9100c51bc8ba0879b.png
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>> No.814002 Ответ
>>813971
Только сам хотел это запостить.
>> No.814087 Ответ
>>814002
АААА, хайвмайнд!!! :3
>> No.814141 Ответ
>>813971
Лол, копирасты добрались.
>> No.814147 Ответ
>>814141
Инфу не читай - сразу отвечай. Это было "24-hour promotion" на личном канале певицы, и она же его убрала.
>> No.814156 Ответ
>>814147
Ну я видео в посте смотрел, бака.
>> No.815550 Ответ
Файл: 1295717883969.jpg
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1295717883969.jpg
>>807375
Ваше отсутствие постов огорчает Богиню.
>> No.815552 Ответ
Файл: -.JPG
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-.JPG
>>815550
Рей-фаги такие забавные. Обрезали пик, и уже вроде не хентай.
>> No.815556 Ответ
>>815552
Я требую православную версию.

к: можно присесть
>> No.815564 Ответ
>>815556
Православную версию >>815550? Не дам, не хочу Рей-фагов обижать.
>> No.815565 Ответ
>>815564
Давай, не обидишь.
Реефаг
>> No.815566 Ответ
>>815552
А она не обрезанная. Полноразмерной пикчи с Рей именно в этой позе на данбуре нет. Возможно в самих додзях и есть, но лень копаться.
http://danbooru.donmai.us/posts?ms=1&page=1&tags=mogudan+ayanami_rei+&utf8=%E2%9C%93
>> No.815570 Ответ
Файл: ayanami3_01.jpg
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Ваши настройки цензуры запрещают этот файл.
r-18
>>815565
Ну ладно.
>>815566
Нет, таки обрезанная.
>> No.815571 Ответ
>>815570
Рей сильно изменилась за лето.
>> No.815572 Ответ
>>815570
Нежданчик.
>> No.815577 Ответ
>>815571
В худшую сторону е.е
>> No.815580 Ответ
>>815570
Гори за это в аду, безбожный еретик.
>> No.815583 Ответ
Файл: 0de57b482cb82218ac59911e12e6c831.png
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0de57b482cb82218ac59911e12e6c831.png
>>815580
Хи-хи, я не могу быть еретиком по определению же.
>> No.815584 Ответ
>>815580
Вы сами виноваты в том, что возжелали запретного. Это будет наказанием.
>> No.815585 Ответ
>>815570
Теперь я узнал как выглядят космодесантники под своей силовой бронёй.
>> No.815586 Ответ
>>815570
Святые хуи из преисподней, неужели такие пикчи кому-то нравятся?
>> No.815589 Ответ
>>815586
Очень немногим. Была бы аудитория чуть шире - пикча не была бы настолько отвратительной.
>> No.815590 Ответ
>>815589
А сколько лет мангака выпускает столь непопулярные додзинси?
>> No.815591 Ответ
>>815590
Точно не скажу, но лет 6 точно.
>> No.815592 Ответ
Вот интересно: я видел много додзей и картинок, где пририсовывают большую грудь персонажам, в оригинале ею не обладающим. А бывает ли обратное, когда в оригинале большая грудь, а в додзе ДФЦ?
>> No.815593 Ответ
>>815589
> Очень немногим
Не думаю, что немногим. C C90 у Могудана у всех трех додзей по 5 звезд (Average: 4.86 Rating: 232 Favorited: 517 times; Average: 4.80 Rating: 66 Favorited: 68 times; Average: 4.80 Rating: 125 Favorited: 187 times), почти все его додзи переведены на английский, даже незначительные омаке из 5-6 страниц. Другое дело, что эксхентаем сложно вообще что-то мерять, там слишком много пятизвездных-четыре с половиной звездных додзей. Но 300-500 фанатов у него мне кажется есть.
>>815590
Очень много - аж с С55. Всего 16 страниц на эксхентае.
>> No.815604 Ответ
Файл: wallpaper-658560.jpg
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wallpaper-658560.jpg
Файл: 5442221.jpg
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5442221.jpg
Файл: gallery_15588_3_7...
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gallery_15588_3_79161.png

Не хотел я вас обидеть, няши. Вот вам нормальная Рей.
>> No.815612 Ответ
>>815570
ЕРЕСЬ В ТРЕДЕ!
>>815580
Доброчую.
>>815586
Не матерись.
>> No.815634 Ответ
>>815586
Мне нравится большая грудь, но пропорции космодесантника не нравятся.
>> No.815655 Ответ
https://www.youtube.com/watch?v=LrBIxj492pI
Я вам покушать принес.
>> No.815667 Ответ
>>811801
Они летят в таинственные земли за легендарной силой первого доброночника. Не пропустите, Невероятные Приключения Еватреда.
>> No.817411 Ответ
Файл: shinji_ikari_gender_swap_neon_genesis_evangelion_b.jpg
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shinji_ikari_gender_swap_neon_genesis_evangelion_b.jpg
Добрый вечер, Еватред.

>>812799
Нет, она как Токио-3 или как Антарктида со всеми их подземными чудесами.
>>812801
Уже создал.
>>812807
Потому что Анно ушёл.
>>813971
> > Автор ограничил доступ к видео. Сожалеем об этом.
Я "чуть-чуть" опоздал.
>>815604
Спасибо.
>>815655
Спасибо. Выключил на 26-й секунде. Как бы теперь убрать историю просмотра этого из моего компьютера...
>>815667
Кто этот таинственный "первый доброночник"? Какие легенды слагают о нём?

Как хорошо вернуться в родной Еватред после долгих странствий. Почитал немногочисленные немногословные посты, и как бальзам на душу... У лилим ведь есть душа?

Долго искал подходящую пикчу с Синдзи. Подходящего долго не находилось: то Синдзи слишком грустный, то слишком крутой, то это уже было, то рисовка не очень, то косплей... А посему держите Синдзи-тян, смотрящую вдаль.
>> No.817464 Ответ
Файл: Asuka_318.jpg
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Asuka_318.jpg
Останусь тут, даже если никого не осталось, буду листать страницы Еватреда и затворничать как Рэй в своей многоэтажке.
Спокойной ночи, Еватред.
>> No.817465 Ответ
>>817464
> Asuka_318.jpg
Это Годзи-Аска?
>> No.817550 Ответ
Файл: